{"id":8005,"date":"2025-10-31T17:05:31","date_gmt":"2025-10-31T16:05:31","guid":{"rendered":"http:\/\/franzablitzer.fr\/?post_type=portfolio_item&p=8005"},"modified":"2025-11-16T12:21:28","modified_gmt":"2025-11-16T11:21:28","slug":"renovation","status":"publish","type":"portfolio_item","link":"https:\/\/franzablitzer.fr\/?portfolio_item=renovation","title":{"rendered":"R\u00e9novation d’un logotype"},"content":{"rendered":"\n

ci-dessous : \u00e9tude r\u00e9alis\u00e9 \u00e0 la gouache et au pinceau (format A4)<\/p>\n\n\n\n

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Analyse de l’existant<\/strong>
Malgr\u00e9 son aspect \u00ab\u00a0distingu\u00e9\u00a0\u00bb que permettent les codes graphiques classiques tels que monogramme noirs, couleurs nationales etc. un certain nombres de d\u00e9faut essentiels n’ont pas \u00e9t\u00e9 r\u00e9solu par le concepteur. Entre autres les brisures dans les lignes du monogramme, la r\u00e9partition des masses, le manque d’apparent\u00e9 avec la typographie pour la composition globale\u2026<\/p>\n<\/div><\/div>\n\n\n\n

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R\u00e9solution<\/strong>
L’apport de la calligraphie dans une approche moderne permet de r\u00e9tablir une coh\u00e9rence formelle en donnant au logotype un caract\u00e8re authentique et \u00e9l\u00e9gant.
Se d\u00e9tourner des fantaisies g\u00e9n\u00e9ralement descriptives (ici le feu\u2026) pour concentrer le pouvoir de l’image \u00e0 des niveaux plus subtils est essentiel.<\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

ci-dessous : \u00e9tude r\u00e9alis\u00e9 \u00e0 la gouache et au pinceau (format A4) Analyse de l’existantMalgr\u00e9 son aspect \u00ab\u00a0distingu\u00e9\u00a0\u00bb que permettent les codes graphiques classiques tels que monogramme noirs, couleurs nationales etc. un certain nombres de d\u00e9faut essentiels n’ont pas \u00e9t\u00e9 r\u00e9solu par le concepteur. Entre autres les brisures dans les lignes du monogramme, la r\u00e9partition … <\/p>\n

Lire la suite de\u00ab\u00a0R\u00e9novation d’un logotype\u00a0\u00bb<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":8016,"parent":0,"template":"","meta":{"_wpzb_portfolio_video_type":"","_wpzb_portfolio_video_id":0,"_wpzb_portfolio_video_url":"","footnotes":""},"portfolio":[44],"class_list":["post-8005","portfolio_item","type-portfolio_item","status-publish","has-post-thumbnail","hentry","portfolio-logotype-design"],"yoast_head":"\nR\u00e9novation d'un logotype - Franz Ablitzer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/franzablitzer.fr\/?portfolio_item=renovation\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"R\u00e9novation d'un logotype - Franz Ablitzer\" \/>\n<meta property=\"og:description\" content=\"ci-dessous : \u00e9tude r\u00e9alis\u00e9 \u00e0 la gouache et au pinceau (format A4) Analyse de l’existantMalgr\u00e9 son aspect \u00ab\u00a0distingu\u00e9\u00a0\u00bb que permettent les codes graphiques classiques tels que monogramme noirs, couleurs nationales etc. un certain nombres de d\u00e9faut essentiels n’ont pas \u00e9t\u00e9 r\u00e9solu par le concepteur. 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